The 2000 Transworld Halloween, Costume and Party Show was everything that I expected it to be. Exciting, unpredictable, and enjoyable. To open the festivities on Wednesday night was the Crazy Bob Social. A lot of the big names in the industry showed up once again for this one. From Cydney Neil (Rockey Point), John Denley (Boneyard Productions), Larry Kirchner (Halloween Productions and Hauntworld.com), to Gail "The Frightmistress" Cohen, D'Ann Dagen (Hangman's House of Horrors), Jim O'Rear (Underground Entertainment), and the man himself, Crazy Bob Turner (Haunted Hydro). It was a good ice breaker.

Thursday was seminar day, a real test of stamina for those not used to enduring long conferences. Briefly, I will highlight some of the seminars that I attended. Cydney Neil held two seminars on Budgeting and Advanced Budgeting. She conducted a very compelling seminar in the afternoon session, and revealed very important aspects on creating a budget for a haunted attraction such as basic construction, obtaining sponsorships, advertising and promotion.

Adrian LePeltier, Director of Show Development at Universal Studios Escape in Orlando, Florida, explained about the many aspects that makes Universal stand out from all the rest of the haunts in the creation of their characters, make-up, and costuming. Their acting is somewhat choreographed, but he allows the actors the freedom to express what their character is doing.

Bloody Mary, from our own Dear Bloody Mary column (a.k.a. Bobbie Weiner), conducted a very basic seminar on bruise and abrasion make-up. Her subject in the chair was none other than Jim O'Rear of Underground Entertainment Magazine. Jim was a good sport as I took several in-stage photos of the make-up application.

The last seminar of the day was an Interactive Acting seminar presented by Joe Jensen of Haunted America. Joe's presentation was all about different techniques in acting. He demonstrated what kind of acts could be used in an attraction such as the stalker, an actor who seeks out their victim through eye contact and movement. There was the pleader, an actor that pleads to the audience not to go inside the show and run to save their lives. All of the techniques were based on emotion. The actor's ability to abandon all of their inhibitions and really BE the character. To get inside the psyche of the customer and convince them that the act is real WITHOUT touching them. It was a very well thought out presentation and made me proud to be an actor. Joe has a real actor's intellect. I just wish I had the opportunity to see him in action.

On the eve of opening day, Larry Kirchner held a meeting at the Holiday Inn to announce Hauntworld's Sponsorship Program. Hauntworld plans a consolidation of haunted houses across the United States, under the hauntworld label, to promote marketing dollars through sponsorships from national product manufacturers. The contract for haunters to commit to has since been revised. The show as usual, was intense. The most impressive booth this year in my opinion, was The Scarefactory in the Dark Zone. They had rooms of animations and a rocking tunnel with all sorts of corpses and demons inside of it.

Saturday night was the 2nd Annual Meeting for the International Association of Haunted Attractions where the Board Director elections were held for 2000. A new crop of 18 board members were voted in, and the annual meeting went quickly and painlessly. For more information about IAHA, log on to their website at:

Overall, the 2000 Transworld Halloween show was very entertaining and educating and I highly recommend to all of you that did not make it this year, to make it a point next year to be there!

 

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