updated: Mar 21, 2002
Three women in their late 40s each claim to be the widow of Frankie Lymon: Zola Taylor (Halle Berry) a singer; Elizabeth Waters (Vivica A Fox) a petty thief newly released from prison; and Emira Eagle (Lela Rochon) a small-town Southern schoolteacher.
The makeup was pretty good though they all look nearer 40 than 50. Each of the characters has a makeup that reflects not only their age but their lifestyle and life choices: the wear and tear is rightly much more obvious on Elizabeth than on Zola but paradoxically it’s much easier to believe in Zola as a well-maintained 48 than in Elizabeth as a well-worn 49.
These 20s to middle-age makeups require a greater subtlety both from the makeup artist and in performance than a youth to old-age transformation. Halle Berry commented: ...they used makeup and prostheses to turn us into older women. But we had to really be careful to remember the subtleties of behavior from year to year, from the Fifties to the Sixties into the Eighties. What's it like to be 45? It's subtle -- not like going from 30 to 80. You have to find the little nuances of character to make someone age like that.
Ken Diaz and John E Jackson were credited as prosthetic makeup artists: Mark Sanchez was key makeup artist and Mary Burton was Halle Berry's makeup artist.